A grant was awarded to LOVISA INSERRA for BUSTER, a super-8 feature-length experimental narrative about a man named Buster who spends all his time provoking strangers into fights, then refuses to defend himself as they pummel him until they grow bored. BUSTER is a grifter, sucking his brother dry, and a cancer, sabotaging his brother's relationship with his girlfriend. Think of him as the patron saint of passive aggression, the don of all losers, or maybe just a regular guy who lost his mind trying to avoid growing up. This is also the story of the people who don't run away from Buster.
MITCH MCCABE received a grant for Youth Knows No Pain, a feature-length documentary about the fear of aging and one filmmaker's comical journey through America's anti-aging industry, all set against the backdrop of her father's plastic surgery practice. Traveling across America and visiting everyone from doctors to celebrities, scientists, Star Magazine editors and a cross-section of real life characters who have gone to crazy lengths to beat the clock, Youth Knows No Pain creates a tableau of the aging hysteria. As the film sheds light on both the absurdity and the biological foundation of this obsession, it entertains as it dispels myths, exposes dark truths, and confirms that one thing is for sure-the aging obsession has become a national obsession.
A grant was awarded to SARAH FRIEDLAND for Thing With No Name, a feature-length documentary that tracks the rebirth of a rural South African community plagued by AIDS. The film also focuses on an HIV-positive individual's recovery through treatment. The title of the film addresses the fierce taboo and stigma attached to the HIV/AIDS epidemic in South Africa. This fear of rejection is so paralyzing that the name of the virus is rarely spoken aloud, especially among those who are directly impacted by HIV/AIDS.
MARLO PORAS received support for The Candidate (working title), a documentary about the US Senate candidacy of 94-year-old Doris Granny D Haddock. It's a first-person portrait of Doris's remarkable transformation from renowned citizen activist to novice political candidate. The film offers an intimate look at the nation's oldest political newcomer as she struggles against the inherent liabilities of old age and challenges herself to run a US Senate campaign that personifies her democratic ideals of a government of, by and for the people. With no on-camera interviewers or outside narration, Doris's story will be told through an intricate weave of real time scenes and voice-over narration culled from original interviews. The Candidate addresses the entrenched cynicism toward the political system that leaves many skeptical about the motivations of politicians.
MARYAM KESHAVARZ received support for a feature-length documentary called Persian Fashionistas: A New Generation of Revolutionaries. The film looks into the lives of a select group of Tehrani youth struggling to attain freedom under the conservative watch of the Iranian government. These youth represent a generation that has grown tired of restriction and is using fashion as a form of political resistance.
LANRE OLABISI received support for August the First, a feature narrative whose story begins on a promising day. Preparations are wrapping up for a graduation party celebrating a principal character's educational achievement. Friends and family have agreed to reunite on the one day in his honor. As people arrive and the party begins, a dark history begins to unfold with the return of a surprise guest. Unfortunately, the reunion brings turmoil as secrets are revealed, old wounds are reopened, and bad habits are revived. Actions or inactions in the face of life's hardships etch a family dynamic, which is captured in the history of this African-American family.
LUCI WESTPHAL was awarded support for All's Well and Fair, an hour-long documentary that gives a unique perspective on growth and identity, choice and consequence, through portraying three punk rock mothers and their children over a ten-year interval of life on the fringes of society. Giving voice to the three mothers as well as to their five children, All's Well and Fair questions the stereotypes of welfare moms and alternative culture. It also examines the pitfalls of capitalism and mass market culture and living on the cusp of poverty. Do these women lead lives of integrity outside of the mainstream system, or have they just subjected themselves and their children to living in poverty and feeding off the system? And did they actually have a choice? The documentary ultimately focuses on the idea of knowing and being yourself.
MITCH DEOUDES was awarded support for The Death of Doctor Island, an experimental 35mm narrative that tells the story of a mentally ill boy trapped on what appears to be a deserted island, told as a cycle of seven installments. According to Deoudes, the film is an experiment in immersion and persistence in cinema, which touches on themes of morality, socialization, and sacrifice.
Support was awarded to MOON MOLSON for MEADOWLANDZ, a narrative short about a crew of four black street kids who find a drunken African passed out in the hallway of their tenement building. When it is revealed that the drunk is actually the father of Marquis, one of the four teens in the crew, the young men find themselves on a rag-tag journey through the urban darkness in search of a place for the unconscious man to sleep. As the night dwindles on, tensions flare and a final explosion of street codes, machismo and youthful pride threaten to make the place they find for the drunken man to sleep, the bottom of a swamp between New York City and New Jersey-the murky, reed-clotted depths of The Meadows. Although MEADOWLANDZ is a hip-hop neo-noir, instead of glorifying the street culture of violence and misogyny typical of this urban youth culture, the film indicts it as a dangerous code of conduct found in terminal machismo values. The film is a parable on the dangers of peer pressure and humiliation.
ADAM ZUCKER was awarded a grant for a feature-length documentary called Greensboro-Closer to the Truth, which has its roots in the Greensboro Massacre of 1979. This killing of five civil rights and labor activists by Ku Klux Klan and neo-Nazis occurred with foreknowledge of local police and the FBI. Despite extensive television footage of the murders, no one was ever convicted. For nearly a quarter century, the city of Greensboro has lived in the shadow of these events. Its long history at the forefront of the civil rights movement-the Woolworth's sit-ins of 1961-had been cut short. Mistrust and finger pointing has continued to this day, leaving a polarized community still grappling with the ripple effects of the killings. Now the survivors have convinced the North Carolina community to finally get to the bottom of the alleged conspiracy. To accomplish this, they have amassed a coalition of support, and will stage a Truth and Reconciliation Commission to coincide with the 25th anniversary of the tragedy. This film provides background on the killings and the progression of the Truth and Reconciliation Commission.