Past
Grantees

THE LOFT, Minneapolis, Minnesota, received $50,000 in support of the Mentor Series. The Loft Literary Center offers a wide array of programs and services that support writers and readers of all ages throughout the region. In 1979, with Jerome Foundation support, The Loft launched the Mentor Series as a vehicle for emerging Minnesota writers to work in small group settings with nationally recognized authors, and to be mentored by them in ways ranging from review of their work to providing inspiration and examples for the writing life. Key components of the program include nationally recognized mentors serving competitively selected Minnesota writers in residencies extending for several days; small group and private sessions between mentors and participants; public readings; and master classes, workshops and public forums. Twelve emerging Minnesota-based writers (four in poetry, four in fiction, and four in creative nonfiction) work with six nationally acclaimed writers.

THE LOFT, Minneapolis, Minnesota, received a two-year grant of $100,000 in support of the Minnesota Writers Career Initiative. The Loft fosters a writing community, the artistic development of individual writers, and an audience for literature. In 1994, The Loft created the Minnesota Writers Career Initiative Program to help Minnesota writers leverage opportunities to expand their audience and advance their careers. The program serves writers through a two-step process of logistical and strategic planning with a consultant and/or program staff, resulting in the creation of a workable career plan, and the implementation of that plan. The program is open to poets, prose writers, children's authors and spoken word artists poised to pursue opportunities to advance their work.

Support was awarded to MARIE LOSIER for The Ontological Cowboy, an experimental portrait of Richard Foreman, the renowned playwright who founded and directs the Ontological-Hysteric Theater at St. Mark's Church. The film features several interviews with Foreman and performances by Tom Ryder Smith, Jay Smith, and Juliana Francis, who star in Foreman's most recent play, King Cowboy Rufus Rules the Universe! The work further develops Losier's style of personal documentary portrait filmmaking.

A two-year grant of $30,000 was awarded to the LOWER EAST SIDE PRINTSHOP, which promotes excellence in printmaking by offering opportunities for a broad and diverse range of participants to create, learn about, and collect prints. It's open 24 hours a day, in a new and well-equipped facility, for artists to work independently or with a master printer. Foundation support is directed to two programs. In the Keyholder Residency Program, competitively selected emerging artists receive studio access, support services, tools and basic art supplies, discounts on classes, free slide documentation of their work, access to a library, inclusion in the permanent collection, a presence on the web site, and exposure opportunities through exhibitions and Open Studio days. The Special Editions Fellowship Program is a six-month residency opportunity for emerging artists to create new work in printmaking. Artists receive 12 full-day working sessions with the Master Printer, free materials, technical support, and stipends.

The LOWER MANHATTAN CULTURAL COUNCIL, New York City, received $20,000 in support of artists' stipends for the 2005-06 Workspace: 120 Broadway program. The Council is a leading arts presenter, advocate and service provider for artists and arts groups throughout Manhattan. It provides a variety of programs, grants and services for artists and arts organizations. Jerome Foundation has supported the Workspace initiative since 1999. The Council welcomes applications from emerging artists in visual arts, film/video and creative writing to occupy individual studio spaces for five months, with communal spaces for dialogue and exhibition. Artists receive 24-hour a day, seven-day a week access to their studio spaces. The Council partners with commercial building owners who have vacant floors within their buildings and are willing to contribute the use of that space. Fifteen artists in each of two residency cycles are served each year. Emerging artists with flexible and active practices who are currently without studios are given preference. Salon evenings, studio walk-throughs, and culminating Open Studios enrich the basic program.

MABOU MINES, New York City, received a two-year grant of $60,000 in support of the participation of emerging artists in the Suite Resident Artist Program. Mabou Mines, with a distinguished production history and an active contemporary practice, is a collective of artists who believe that life is performance and that the study and practice of one is the study and practice of the other. The Suite program was established in 1991 to meet the needs of emerging artists in search of a nurturing place to develop work. Every other year, Mabou Mines issues an open invitation to emerging artists and small companies to apply for participation in the Suite program. Once selected, Suite artists connect with company mentors and develop their projects. In the second year, four Alumni Resident artists return to ready new works for production.

Support was awarded to KAREN COVINGTON for The Price of Memory, a mytho-poetic experimental documentary exploring the movement for slavery reparations in the island of Jamaica. It links the present to the past by exploring how the legacies of slavery still affect present-day Jamaica generations, and why some believe in reparations while others are opposed. The film also examines the filmmaker's search for personal truth growing up in Jamaica.

NATIONAL VIDEO RESOURCES, New York City, as fiscal sponsor for GRANTMAKERS IN FILM AND ELECTRONIC MEDIA (GFEM), received $2,500 in program support. GFEM is an association of grantmakers committed to advancing the field of media arts and public interest media funding. It sponsors grantmaker briefings, collaborates on the Council on Foundations Film and Video Festival, presents media arts programming at the Grantmakers in the Arts conference, support an electronic media policy working group that focuses attention on issues with major impact on the media environment, provides information sharing services to constituents, and undertakes special projects such as publications.

ALBERT MILGROM received a grant for The Dinkytown Uprising, a documentary that juxtaposes student activist protests against the incursion of a fast-food chain on the University of Minnesota campus called The Red Barn with the macrocosmic anti-Vietnam war protests in the Spring of 1970. The film also aspires to see how attitudes of some participants have changed over time.

The AMERICAN COMPOSERS FORUM, St. Paul, Minnesota, acting as fiscal sponsor for composer ANN MILLIKAN, received $8,000 in support of the production of a CD of Millikan's work by the California E.A.R. Unit. The American Composers Forum links communities with composers and performers, encouraging the making, playing and enjoyment of new music. The Forum seeks to provide direct support to composers at every stage of their careers and to develop markets for composers and their music. Composer Ann Millikan will record a CD of her music performed by the California E.A.R. Unit for release on the Innova label of the American Composers Forum. The CD will contain four new works and two composed in 2000 for the E.A.R. Unit, an ensemble comprised of flute, clarinet, piano, percussion, violin, and cello.

The MINNEAPOLIS COLLEGE OF ART AND DESIGN, Minneapolis, Minnesota, received a two-year commitment of $160,000 in support of the MCAD/Jerome Foundation Fellowships for emerging visual artists. This grant supports the continuation of a fellowship program, created in 1981, which annually awards fellowships to five competitively selected emerging visual artists living in the 11-county Twin Cities metropolitan area. The program includes $9,000 fellowships, a culminating exhibition with catalog, access to MCAD resources and services, and individual sessions with nationally recognized critics/curators.

The MINNESOTA CENTER FOR PHOTOGRAPHY, Minneapolis, Minnesota received $25,000 in support of the participation of emerging Minnesota and New York City photographers in the 2005 Exhibition Program. The Center focuses on the photographic arts and exhibits compelling work by a diverse group of artists. It is also committed to engaging and informative educational programs, innovative community outreach and collaboration, and affordable access to equipment and facilities. Its Exhibition Program features shows of current photography by local, regional and national artists. The Minnesota Projects Gallery shows experimental work by Minnesota photographers. The Center also provides services to photographers including monthly portfolio reviews and a Second Tuesday Lecture Series.

The Jerome Foundation Directors approved continuing membership and general support grants to the MINNESOTA COUNCIL ON FOUNDATIONS. This organization is a membership entitypromoting responsible and effective philanthropy.

The MINNESOTA DANCE THEATRE, Minneapolis, Minnesota, received a two-year grant of $24,000 in support of the creation of new work by its choreographer in residence, Wynn Fricke. Employing a company of eight dancers, the Minnesota Dance Theatre's repertory includes works by its founder Loyce Houlton, its current Artistic Director Lise Houlton, and national and local choreographers. After receiving Jerome subsidy for several years to commission works by a variety of choreographers, the Minnesota Dance Theatre decided to focus on a more substantial residency program for one choreographer, Wynn Fricke, with whom it has worked in the past. This will enable Fricke to participate in the development of the season, be engaged in the school, and develop a body of work that will advance her choreography and the repertory of the company.

MOMENTA ART, Brooklyn, New York, received $14,000 in support of the participation of emerging artists in the 2005-06 Exhibition Program. Momenta is dedicated to increasing awareness of emerging and under-represented artists and fostering dialogue between artists and audiences. It focuses on two-person exhibitions in which each artist is given a separate project room to present her or his work. Momenta will produce 11 shows this season including one group exhibition and ten solo shows. The Exhibition Program provides space, publicity and artists' fees.

The WALKER ART CENTER, Minneapolis, Minnesota, received a two-year grant of $40,000 in support of the creation and production of new works by emerging choreographers within the Momentum series. Eight emerging Minnesota choreographers will be served via commissioning dollars, developmental support, and production subsidies. Momentum: New Dance Works is curated and co-presented by the Walker and The Southern Theater. A call for applications is distributed annually, followed by a rigorous competitive review yielding the selection of a final group of artists to be commissioned. The series is designed to provide the type of highly visible and highly produced programs of contemporary dance works needed by the next generation of movement artists in Minnesota.

The MUSEUM OF MODERN ART, New York City, received a two-year grant of $14,000 to subsidize the acquisition of film and video works produced by artists supported in the Jerome Foundation's New York City and Minnesota Film and Video Programs. The Department of Film and Video has a collection of more than 22,000 film and video titles from the 1890s to the present, truly one of the world's finest museum collections. The Department offers daily current and historical film, video, performance, and multimedia programs in two theaters and a media gallery, presenting over 30 showings per week, with over 1,500 presentations each year of feature-length and short films, videos and digital works. The Department recognizes the importance of contemporary American film, video and digital artists and strives to include their works in the collection so that they may be exhibited and studied by this and future generations. Jerome Foundation support enables those artists to whom it has awarded production grants to come to the attention of the Department's curatorial staff and be considered for acquisition.

The MUSEUM OF MODERN ART, New York City, received a two-year grant of $14,000 to subsidize the acquisition of film and video works produced by artists supported in the Jerome Foundation's New York City and Minnesota Film and Video Programs. The Department of Film and Video has a collection of more than 22,000 film and video titles from the 1890s to the present, truly one of the world's finest museum collections. The Department offers daily current and historical film, video, performance, and multimedia programs in two theaters and a media gallery, presenting over 30 showings per week, with over 1,500 presentations each year of feature-length and short films, videos and digital works. The Department recognizes the importance of contemporary American film, video and digital artists and strives to include their works in the collection so that they may be exhibited and studied by this and future generations. Jerome Foundation support enables those artists to whom it has awarded production grants to come to the attention of the Department's curatorial staff and be considered for acquisition.

The NATIONAL CENTER FOR BLACK PHILANTHROPY, Washington, D.C., received a grant commitment of $3,000 in support of an arts session within its fifth national conference, Building a Future Worthy of Our Past, to be held in June 2005 in Minneapolis, Minnesota.

The NEW MUSEUM OF CONTEMPORARY ART, New York City, received $20,000 to exhibit work by emerging New York-based new media artists within the Media Lounge and related Digital Cultural Programs. The New Museum supports daring and cutting-edge artistic practice, continually reflecting on new art and new ideas. The Digital Cultural Program investigates the long-term effects of digital media on contemporary visual culture. The Museum provides an array of opportunities for emerging artists to create and present new works using the most innovative technologies available; incorporates new media works into Museum practice and develops interpretive frameworks consistent with the new directions these works represent; and familiarizes the general visitor with digital media and encourages a more meaningful experience with these works. Jerome supported work will be exhibited in Transmissions IIAirborne, New Media Projects and Contagious Media.