Past
Grantees

HEADWATERS MUSIC, Minneapolis, Minnesota, received funding of $17,000 to commission emerging New York City and Minnesota composers to write works for the 2002 Festival Dancing In Your Head, a marathon performance of new music. Numerous eclectic ensembles present a wide range of musical styles and ideas in works by emerging and established composers. The Festival not only offers concert opportunities for new music, it provides strong publicity, impressive audience sizes, interaction among musical styles and cultural traditions, and the strengthening of a new music network in Minnesota.

IN THE HEART OF THE BEAST PUPPET AND MASK THEATRE, Minneapolis, Minnesota, received $18,000 in support of three productions by emerging puppet and mask artists. Duane Tougas and Masanari Kawahara are creating works for From the Inside Out. Tougas will create the Apartment Show, which moves from the exterior signs of an apartment building to an interior view of one tenants life and relationships. Kawahara is adapting a story about butchering a pig by Japanese writer Kenji Miyazawa. Elisha Whittington will create Queen Nanny, Queen Nanny!, based on the true story of an 18th century Jamaican woman who was a the leader of a group of revolutionary former slaves.

ALISON HEIMSTEAD, pyrotechnic and puppet artist, will travel to Vashon Island in Washington State for 27 days to participate in Islewilde!, an annual community arts event. Heimstead will collaborate with Festival Director Andrew Kim to create the opening ceremony. She will lend her pyrotechnic skills to the event and learn how other community-based art events are structured, while furthering her pyrotechnic development by working with established pyrotechnic artists.

HERE, New York City, received $20,000 to support the creation and production of new works by core artists. A multi-arts center with performance spaces, galleries and a caf, HERE supports the innovative work of artists at all levels in their careers. Jerome funding will be directed toward two works by Fernando Maneca, Just Like a Man: Personal Anecdotes, Confessions and Other Tall Tales and Today I am Feeling a Bit Less Cynical. The first is a solo hybrid performance piece exploring what it means to be a man. The second is an ensemble piece inspired by the existential writings of Franz Kafka and Fernando Pessoa. Kristin Marting is developing a new work, The Winds of Her Misfortune, inspired by the writing of Gabriel Garcia Marquez. Marting will collaborate with Todd Griffin to examine the role of first world imperialism in third world societies through her gestural vocabulary and his low-tech music.

Jerome Foundation Directors made a grant of $15,000 to the HIGHPOINT CENTER FOR PRINTMAKING, Minneapolis, Minnesota, in support of residencies for emerging printmakers, and professional support for those artists. The Center, founded by Carla McGrath and Cole Rogers, serves independent artists and provides educational programming for young people. Jerome funding will be used to initiate a residency program that will support four to five emerging printmakers from the Upper Midwest, the majority of those Minnesota residents. The program is designed to advance the work and level of recognition of print artists. It provides shop and equipment access, technical support, discounts on programs, assistance in creating portfolios of work made during the residencies, and a group exhibition.

S.A.S.E.: THE WRITE PLACE, Minneapolis, Minnesota, acting as fiscal agent for the HMONG AMERICAN INSTITUTE FOR LITERATURE, received $10,000 in support of the literary journal Paj Ntaub Voice and a workshop for emerging Hmong writers. The Institute offers programs and services for Hmong American writers and advances literature in the Hmong community. Much of the Jerome Foundations grant will support two issues of Paj Ntaub Voice, edited by Mai Neng Moua. The mission of the journal is to provide a community forum to foster Hmong writing and art, thus celebrating Hmong identity. Funding will also be directed to a workshop for 12 competitively selected emerging Hmong writers to work with a more established, published author to develop their writing.

Multidisciplinary artist Jean Humke, Saint Paul, Minnesota, was awarded a grant to travel to the Oneida Nation in Wisconsin to learn about practices of democratically integrating personal beliefs into public art works. Humke will study the Oneida Nation Arts Program's systems, structure, and methods of inclusion to learn how to work more collaboratively and communally with people. She will apply this information toward her own public art projects regionally, nationally, and internationally.

Multidisciplinary artist JEAN HUMKE, Saint Paul, Minnesota, was awarded a grant to travel to the Oneida Nation in Wisconsin to learn about practices of democratically integrating personal beliefs into public art works. Humke will study the Oneida Nation Arts Programs systems, structure, and methods of inclusion to learn how to work more collaboratively and communally with people. She will apply this information toward her own public art projects regionally, nationally, and internationally.

ILLUSION THEATER, Minneapolis, Minnesota, was awarded a two-year grant of $50,000 in support of developmental and production work with emerging playwrights and theater creators and the Artistic Associate program. Illusion Theaters mission is to create theater that illuminates contemporary myths and realities and catalyzes personal and social change. It seeks new and emerging artists and gives them opportunities to develop and grow through the Fresh Ink series, new play readings, mainstage productions, and the Artistic Associates program. Fresh Ink gives artists opportunities to develop material in front of an audience without exposing them to the pressures of a full performance. The Artistic Associates program brings new plays, new projects, new artists, and new communities to Illusion Theater.

Lao dancer, choreographer, and teacher LADDAVANH CHANTHRAPHONE will spend six weeks in Vientaine, Laos, undergoing intensive training in Lao traditional dance with Master Chansouda Southathamma. Professor Southathamma will help Chanthraphone develop her artistic vision and skill. It will also be a time for self-reflection and creativity. Southathamma will act as a teacher and mentor and will introduce Chanthraphone to talented dancers in Laos.

INTAR HISPANIC AMERICAN ARTS CENTER, New York City, received $20,000 in support of the NewWorks Lab. INTAR identifies, develops, and presents the work of Hispanic American theater and visual artists and introduces outstanding new works by internationally respected Latin artists to American audiences. The NewWorks Lab supports the evolution of directors, writers, actors, and other artists from the Latino community in a theatrical context and provides a home for the development of new works in a creative environment. The Lab is comprised of a Reading Series and Workshop productions of four projects. It brings talented collaborators together, offering them the freedom to take creative risks, which are vital to artistic growth, and to undertake projects they would have no opportunity to pursue elsewhere.

A two-year grant of $98,000 was awarded to INTERMEDIA ARTS, Minneapolis, Minnesota, in support of the Art Inside/Outside Space Program and artists services. Intermedia Arts is a multidisciplinary arts center that offers programs in visual arts, media arts, performance, and interdisciplinary forms. Its mission is to serve as a catalyst that builds understanding among people through art. The Art Inside/Outside Space Program provides opportunities for artists and audiences alike to learn more about the installation form and its possibilities. The program is designed to support artists who have not yet had major opportunities to create and display installation work. Intermedia issues an annual open call to Minnesota artists for this program. Installations may incorporate any number of media. Independent selection panels choose the artists who receive commissions and installation support for the exhibition, which is accompanied by a catalog and artists talk. Monies were also provided to Intermedia to assist in the provision of services to emerging artists, a primary function of the organization.

A two-year grant of $70,000 was awarded to INTERMEDIA ARTS, Minneapolis, Minnesota, in support of the Intermedia Arts/Jerome Performance Art Commissioning Program. Intermedia is a multidisciplinary arts center that offers programs in visual arts, media arts, performance, and interdisciplinary forms. It also provides financial support, information, referrals, and professional development opportunities to artists. The Performance Art Commissioning Program provides opportunities for emerging artists to create new performance art works, test new works before audiences, gain promotion and production experience, and develop their critical response skills for evaluating and revising work. Independent panels will competitively select four artists per year.

The INTERNATIONAL FRIENDSHIP THROUGH THE PERFORMING ARTS, Burnsville, Minnesota, received $8,000 to support the creation, presentation and recording of two new compositions by GAO HONG. Hong is a composer and master of the pipa (Chinese lute). Well recognized as a performing virtuoso, Hong is interested in the development of her compositional ability and seeks opportunities to create new works for herself and collaborating musicians. The International Friendship organization was created as a nonprofit concert presenter and booking agency for performers of ethnic instruments and singers of indigenous songs. It develops and produces the work of Gao Hong and other artists through concerts, touring events, educational workshops, and commissioning.

A two-year grant of $30,000 was awarded to the JAMAICA CENTER FOR ARTS AND LEARNING, Jamaica, New York, in support of the participation of emerging artists in its Visual Arts Program. The Centers mission is to make the arts accessible to the entire community. It is dedicated to supporting the creation of work by emerging and established artists, especially those who are working from cultural traditions and artistic disciplines underrepresented in the artistic community as a whole. The Visual Arts Program mounts thematic group exhibitions, an annual solo show of the Workspace artist in residence and exhibitions organized by independent curators. The Center advocates for artists by providing career resources, exhibition opportunities and support.

JOHN JASPERSE COMPANY/THIN MAN DANCE, New York City, received a two-year concluding grant of $25,000 in support of new work by choreographer John Jasperse. The company strives for innovation and exploration in concert dance. Jasperse will use Jerome funding to create two new works. The first years untitled work examines the nature of perception and the presumption of a hierarchy inherent in compositional order. Jasperse will choreograph fluid and constantly shifting points of focus within the performance space, causing the audience to shift its mode of perception from subject against ground to the entire field.

Directors authorized a $10,500 grant to SPRINGBOARD FOR THE ARTS, Saint Paul, Minnesota, acting as fiscal agent for CATALYST: DANCES BY EMILY JOHNSON, in support of the creation and development of four new dances. Johnsons work magnifies the accustomed routine of daily life, paying particular attention to details that go unnoticed or are taken for granted. Funding will support Subsistence, a trio based on the intricacies of survival; Untitled, a collaboration with Ossie Kairaiuak based on Yupik Eskimo dance and song; Absolute, a quartet dealing with absolute impunity; and Safehold, a work dealing with the evolution of patterns.

VOLCANO LOVE/LAVA, Brooklyn, New York, received $12,000 in support of the creation of new work by choreographer Sarah East Johnson. Her troupe of women perform physical feats of power, strength, stamina and daring. Their movement vocabulary encompasses dance, wrestling, circus acrobatics, aerials and contact improvisation. Funding will support Shine, which uses choreographed movement influenced by acrobatics, football, square dancing, improvisation, film, and spoken word to explore the notion of belief systems in contemporary American culture.

Blacklock Nature Sanctuary Vice President and Program Director CATHERINE JORDAN, Moose Lake, Minnesota, was awarded funding to further her education in managing the growth and sustainability of Blacklocks emerging artist residency program. Jordan will make site visits to artist communities in California and Oregon to learn from colleagues managing similar organizations and programs. She will also secure capital campaign coaching from a consultant and join the Alliance for Artist Communities as an institutional member to learn from its network of professionals and receive publication and technical assistance.

Blacklock Nature Sanctuary Vice President and Program Director Catherine Jordan, Moose Lake, Minnesota, was awarded funding to further her education in managing the growth and sustainability of Blacklock's emerging artist residency program. Jordan will make site visits to artist communities in California and Oregon to learn from colleagues managing similar organizations and programs. She will also secure capital campaign coaching from a consultant and join the Alliance for Artist Communities as an institutional member to learn from its network of professionals and receive publication and technical assistance.